The MountTea Journal
How to Taste Tea and Discover What You Like
Use a repeatable tasting method to separate aroma, flavour, body, astringency and finish. Keep notes that make the next tea purchase more useful.
You can taste tea carefully without learning a specialist vocabulary first. Use the same cup, notice a few distinct features and record what you actually perceive. The point is to recognise your preferences, not to identify every fruit named in a product description.
Control the comparison
Use clean, neutral vessels and the same water. Weigh the leaves and record your recipe. When comparing closely related teas, keep the leaf-to-water ratio and timing similar enough to interpret the result. When comparing very different families, brew each sensibly for its style and acknowledge that the recipes differ.
Notice five separate features
- Aroma: smell dry leaves, warmed leaves and the empty cup. Begin with broad groups such as floral, vegetal, fruity, toasted or woody.
- Flavour: taste after the liquor cools slightly. Notice sweetness, bitterness and any other clear taste.
- Body: is it light, rounded, thick or watery? This is different from aroma intensity.
- Astringency: does it dry the tongue or gums? Note whether that sensation is balanced or unpleasant.
- Finish: what remains after swallowing, and how does it change?
Track the sequence
In gongfu brewing, the first cup is only one part of the session. Compare an early, middle and late infusion. Rolled leaves may need time to open; compressed tea may release unevenly if the piece contains dense chunks and loose fragments. A longer sequence lets you see whether the tea changes or simply becomes weaker.
Use a short note that leads to action
Try: “5 g / 100 ml, 95°C, 15 seconds. Toasted aroma, medium body, dry finish. Next time: 10 seconds.” A note like this helps you brew again. If you cannot name an aroma, describe a broad impression or a memory; there is no need to invent precision.
Taste blind when useful
Ask someone to label two cups A and B. Write your impressions before looking at the names or prices. This reduces the influence of an impressive origin or expensive label. Do not make a blind tasting into a competition: discovering that you prefer the simpler tea is a useful result.
Choose the next tea from the note
If you liked the aroma but disliked the drying finish, look for a gentler expression or adjust the recipe. If you wanted more roast or body, use those terms when choosing. Your notebook becomes a buying guide built from evidence you can recognise.


